Abstract
Later prehistory in Eurasia is characterised by a suite of radical new technologies that include metallurgy, writing, and the wheel. Their emergence has often been attributed to the dramatically improved efficiencies they offer. This paper argues that instrumental accounts underplay the aesthetic qualities of technical action that have considerable bearing on how technologies emerge. In archaeology, the aesthetics of techniques finds limited recognition. Here, thinking on ‘cultural techniques’ from media theory, the French tradition in the anthropology of techniques, and notions of skill and learning from ecological psychology are combined to develop the aesthetic perspective required for exploring the relationship between technical action, the experience of technological wonder, and the formation of lasting infrastructures. The paper concludes that some emergent technologies create a convergence of different zones of activity, generating the growing infrastructural integration that characterises later Eurasian prehistory.

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