‘NO TO AI GENERATED IMAGES’: Fan art creators contesting AI integration on social media platforms
Open Access
- 17 June 2025
- journal article
- Published by SAGE Publications in Media International Australia
- Vol. 197 (1) , 137-151
Abstract
The proliferation of generative AI has been accompanied by artist complaints, sparked controversies around artistic agency, intellectual property and the precarity of platform-based creative work. This study examines the anti-AI protest on Lofter, China's largest fan art platform. Fan art creators, who operate at the intersection of fandom and creative labour, represent a salient case for examining the asymmetrical power relations between individual creative workers and platforms, especially regarding AI integration. Drawing on content analysis of anti-AI posts on Lofter, the study explores creators’ concerns and the underlying tensions between fan art creators’ and social media platforms’ integration of AI. Findings reveal that fan art creators face multidimensional challenges: exploitation of their content unparalleled benefits for the platform, appropriation of their unique artistic expressions and violations of community norms that underpin their artistic identities. The lack of transparency and consent in the platform's AI implementation exacerbates these tensions. The findings show creators have established legal, ethical and aesthetic justifications regarding their own content and the AI-generated content, which can serve as a guide for platforms to build transparency and consent into systems by design. By examining the unique dynamics of fan art communities, the study sheds light on broader economic, legal and cultural issues in the increasing AI-infused creative industry.Keywords
This publication has 36 references indexed in Scilit:
- Patrons of commerce: asymmetrical reciprocity and moral economies of platform powerInformation, Communication & Society, 2024
- Fandom meets artificial intelligence: Rethinking participatory culture as human–community–machine interactionsEuropean Journal of Cultural Studies, 2024
- ‘People don’t buy art, they buy artists’: Robot artists – work, identity, and expertiseConvergence: The International Journal of Research into New Media Technologies, 2024
- Tormented Selves: The social imaginary of the tortured artist and the identity work of creative workersOrganization Studies, 2022
- Rethinking creativity: creative industries, AI and everyday creativityMedia, Culture & Society, 2022
- The artist and the automaton in digital game productionConvergence: The International Journal of Research into New Media Technologies, 2022
- Moving Across Lands: Online Platform Migration in Fandom CommunitiesProceedings of the ACM on Human-Computer Interaction, 2020
- Connect With Your Audience! The Relational Labor of ConnectionThe Communication Review, 2015
- Computers can't give credit2011
- Toward a Political Economy of Labor in the Media Industries2011