Spatial impacts of Melbourne's ‘agent of change’ principle and Brisbane's ‘designated entertainment precinct’ policy on the fairness of live music venue access
Authors:
- Yanto BrowningYBYanto Browning
- Sébastien DarchenSébastien Darchen
- Mubeen AhmadMAMubeen Ahmad
- 23 July 2025
- journal article
- Published by Elsevier in City, Culture and Society
- Vol. 42
Abstract
No abstract availableThis publication has 21 references indexed in Scilit:
- The impact of the COVID-19 pandemic on the music industries of Brisbane and an evaluation of the policy responseAustralian Planner, 2024
- “Density Done Well” in the Pursuit of 20-Minute Neighbourhoods: Navigating Fluid Discourses in MelbourneUrban Policy and Research, 2023
- Exploring the relationship of time keeping and urban morphology within the economic renaissance and the postmodern era2023
- The “music city” paradigm and its policy side: a focus on Brisbane and MelbourneCultural Trends, 2022
- Valuing value in urban live music ecologies: negotiating the impact of live music in the NetherlandsJournal of Cultural Economy, 2021
- Mapping the ‘beat’: the urban morphologies of Melbourne’s evolving live music clustersJournal of Urban Design, 2020
- Towards an ideal typical live music cityCity, Culture and Society, 2018
- Liveability and creativity: The case for Melbourne music precinctsCity, Culture and Society, 2014
- How should we plan and regulate live music in Australian cities? Learnings from BrisbaneAustralian Planner, 2013
- Cities and the Night-time EconomyPlanning Practice & Research, 1995