Mariana Montiel
Current Organizations / Institutes
The organizations/institutes from the scholar's latest article
Previous Organizations / Institutes
The organizations / institutes from the scholar's other articles in the past ten years
Mariana Montiel has a total of 13 co-authors. Here are the top co-authors by number of shared publications:
- Maria Mannone
ICAR, National Research Council (CNR), Palermo, Italy
4 shared publications - Miguel Rodriguez Wilhelmi
Universidad Pública de Navarra
3 shared publications Draga Vidakovic
Department of Mathematics and Statistics , Georgia State University , Atlanta , GA , USA
2 shared publications- Francisco Gómez-Martín
Universidad Politecnica de Madrid, Madrid, Spain
2 shared publications - David Clampitt
Ohio State University
1 shared publication Francisco Gómez
Department of Applied Mathematics, Technical University of Madrid, Madrid, Spain
1 shared publication
Latest Publications
- 14 June 2026
- Published by Springer Nature
- p. 397-411
Density Matrix RNN (DM-RNN): A Quantum Information Theoretic Framework for Modeling Musical Context and Polyphony
- 14 June 2026
- Published by Springer Nature
- p. 397-411
Density Matrix RNN (DM-RNN): A Quantum Information Theoretic Framework for Modeling Musical Context and Polyphony
- Open Access
Density Matrix RNN (DM-RNN): A Quantum Information Theoretic Framework for Modeling Musical Context and Polyphony
Classical Recurrent Neural Networks (RNNs) summarize musical context into a deterministic hidden state vector, imposing an information bottleneck that fails to capture the inherent ambiguity in music. We propose the Density Matrix RNN (DM-RNN), a novel theoretical architecture utilizing the Density Matrix. This allows the model to maintain a statistical ensemble of musical interpretations (a mixed state), capturing both classical probabilities and quantum coherences. We rigorously define the temporal dynamics using Quantum Channels (CPTP maps). Crucially, we detail a parameterization strategy based on the Choi-Jamiolkowski isomorphism, ensuring the learned dynamics remain physically valid (CPTP) by construction. We introduce an analytical framework using Von Neumann Entropy to quantify musical uncertainty and Quantum Mutual Information (QMI) to measure entanglement between voices. The DM-RNN provides a mathematically rigorous framework for modeling complex, ambiguous musical structures.
Open AccessDensity Matrix RNN (DM-RNN): A Quantum Information Theoretic Framework for Modeling Musical Context and Polyphony
Classical Recurrent Neural Networks (RNNs) summarize musical context into a deterministic hidden state vector, imposing an information bottleneck that fails to capture the inherent ambiguity in music. We propose the Density Matrix RNN (DM-RNN), a novel theoretical architecture utilizing the Density Matrix. This allows the model to maintain a statistical ensemble of musical interpretations (a mixed state), capturing both classical probabilities and quantum coherences. We rigorously define the temporal dynamics using Quantum Channels (CPTP maps). Crucially, we detail a parameterization strategy based on the Choi-Jamiolkowski isomorphism, ensuring the learned dynamics remain physically valid (CPTP) by construction. We introduce an analytical framework using Von Neumann Entropy to quantify musical uncertainty and Quantum Mutual Information (QMI) to measure entanglement between voices. The DM-RNN provides a mathematically rigorous framework for modeling complex, ambiguous musical structures.
- 6 June 2024
- Published by Taylor & Francis in Journal of Mathematics and Music
- Vol. 18 (3) , 311-327
Music-driven geometric and topologic intuition: a case study with the Klein bottle
- 6 June 2024
- Published by Taylor & Francis in Journal of Mathematics and Music
- Vol. 18 (3) , 311-327
Music-driven geometric and topologic intuition: a case study with the Klein bottle
- 23 May 2024
- Published by Springer Nature
- p. 111-122
Voice and Math: The Art of Singing in Light of Mathematical Music Theory
- 23 May 2024
- Published by Springer Nature
- p. 111-122
Voice and Math: The Art of Singing in Light of Mathematical Music Theory
- 23 May 2024
- Published by Springer Nature
- p. 85-96
The Sandwich-Lemma: The Recursive Structure of Super-Syntonic and Super-Diatonic Automorphisms
- 23 May 2024
- Published by Springer Nature
- p. 85-96
The Sandwich-Lemma: The Recursive Structure of Super-Syntonic and Super-Diatonic Automorphisms
- Open Access
- 1 January 2024
- Published by FapUNIFESP (SciELO) in Bolema: Boletim de Educação Matemática
- Vol. 38, e220021
Assessment of mathematical learning in a musical composition workshop applying tools from the onto-semiotic approach
The mathematical music composition workshop, an endeavor that integrates mathematics and music majors, is a concrete example of a STEAM (science, technology, engineering, arts, and mathematics) project. In this article, the authors analyze how mathematics students and music composition students have worked together, have learned to interpret specialized languages from one another, and have presented their results to a public interested in the relationship that guards these two disciplines. The goal of improving the understanding of abstract mathematical concepts through the application to musical structures is analyzed using the Onto-semiotic Approach (OSA). This framework sheds light on some of the written and oral manifestations of the students who participated. The mathematical competence that the participants were expected to achieve through this interdisciplinary endeavor are privileged in this article over the music education goals (which were also present).
- 1 January 2024
- Published by FapUNIFESP (SciELO) in Bolema: Boletim de Educação Matemática
- Vol. 38, e220021
Open AccessAssessment of mathematical learning in a musical composition workshop applying tools from the onto-semiotic approach
The mathematical music composition workshop, an endeavor that integrates mathematics and music majors, is a concrete example of a STEAM (science, technology, engineering, arts, and mathematics) project. In this article, the authors analyze how mathematics students and music composition students have worked together, have learned to interpret specialized languages from one another, and have presented their results to a public interested in the relationship that guards these two disciplines. The goal of improving the understanding of abstract mathematical concepts through the application to musical structures is analyzed using the Onto-semiotic Approach (OSA). This framework sheds light on some of the written and oral manifestations of the students who participated. The mathematical competence that the participants were expected to achieve through this interdisciplinary endeavor are privileged in this article over the music education goals (which were also present).
- 5 November 2022
- Published by Taylor & Francis in Journal of Mathematics and the Arts
- Vol. 16 (4) , 1-10
Atlanta: mathematics and music
In this review, we summarize the key topics discussed at the Mathematics and Computation in Music (MCM) conference held in Atlanta from June 21–24, 2022. MCM is the flagship conference of the Society for Mathematics and Computation in Music. The subjects of the presentations included combinatorics and graph theory in scales and rhythm, categorical and algebraic approaches to music, algorithms and modelling for music and music-related phenomena, among many others that will be described. GRAPHICAL ABSTRACT
- 5 November 2022
- Published by Taylor & Francis in Journal of Mathematics and the Arts
- Vol. 16 (4) , 1-10
Atlanta: mathematics and music
In this review, we summarize the key topics discussed at the Mathematics and Computation in Music (MCM) conference held in Atlanta from June 21–24, 2022. MCM is the flagship conference of the Society for Mathematics and Computation in Music. The subjects of the presentations included combinatorics and graph theory in scales and rhythm, categorical and algebraic approaches to music, algorithms and modelling for music and music-related phenomena, among many others that will be described. GRAPHICAL ABSTRACT
- Open Access
- 11 August 2019
- Published by Springer Nature
- p. C1
Correction to: Mathematics and Computation in Music
Maria Mannone was not given credit for the cover logo in the original version. This was corrected.The original version of chapter 14, “Distant Neighbors and Interscalar Contiguities” was revised. This chapter was previously published non-open access. It was changed to open access retrospectively under a CC BY 4.0 license. The book has also been updated with the change.
- 11 August 2019
- Published by Springer Nature
- p. C1
Open AccessCorrection to: Mathematics and Computation in Music
Maria Mannone was not given credit for the cover logo in the original version. This was corrected.The original version of chapter 14, “Distant Neighbors and Interscalar Contiguities” was revised. This chapter was previously published non-open access. It was changed to open access retrospectively under a CC BY 4.0 license. The book has also been updated with the change.
- 13 October 2017
- Published by Springer Nature
- p. 189-197
Manuel M. Ponce’s Piano Sonata No. 2 (1916): An Analysis Using Signature Transformations and Spelled Heptachords
- 13 October 2017
- Published by Springer Nature
- p. 189-197
Manuel M. Ponce’s Piano Sonata No. 2 (1916): An Analysis Using Signature Transformations and Spelled Heptachords
- Open Access
- 17 January 2017
- Published by FahrenHouse in Foro de Educación
- Vol. 15 (22)
Un experimento piloto sobre la enseñanza interdisciplinaria integrada a nivel universitario: matemáticas y música
En el presente trabajo se presenta un reporte y un análisis de una experiencia interdisciplinaria que se llevó a cabo a través de un programa especial de fomento a modelos de esta naturaleza. La propuesta de colaboración entre los cursos Análisis Postonal de la Escuela de Música de la Universidad Estatal de Georgia (GSU) en los Estados Unidos y Teoría Matemática de la Música del Departamento de Matemáticas y Estadística de la misma universidad, fue seleccionada en un concurso sobre el tema de enseñanza interdisciplinaria integrada por parejas. Este artículo consiste en una revisión de algunos antecedentes documentados de esta combinación particular a nivel universitario, una descripción de los contenidos de los dos cursos y de los participantes en este modelo piloto, así como en un análisis de datos recopilados al final del curso. Una entrevista colectiva fue videograbada y el análisis de la información en general fue llevado a cabo de acuerdo con un marco conceptual adaptado a esta combinación novedosa de disciplinas. Se buscó en todo momento que el análisis y las conclusiones se circunscribiesen a parámetros concretos para poder detectar, si fuera el caso, las características precisas de la colaboración que contribuyeran al realce de los procesos de aprendizaje y enseñanza en ambas disciplinas.
- 17 January 2017
- Published by FahrenHouse in Foro de Educación
- Vol. 15 (22)
Open AccessUn experimento piloto sobre la enseñanza interdisciplinaria integrada a nivel universitario: matemáticas y música
En el presente trabajo se presenta un reporte y un análisis de una experiencia interdisciplinaria que se llevó a cabo a través de un programa especial de fomento a modelos de esta naturaleza. La propuesta de colaboración entre los cursos Análisis Postonal de la Escuela de Música de la Universidad Estatal de Georgia (GSU) en los Estados Unidos y Teoría Matemática de la Música del Departamento de Matemáticas y Estadística de la misma universidad, fue seleccionada en un concurso sobre el tema de enseñanza interdisciplinaria integrada por parejas. Este artículo consiste en una revisión de algunos antecedentes documentados de esta combinación particular a nivel universitario, una descripción de los contenidos de los dos cursos y de los participantes en este modelo piloto, así como en un análisis de datos recopilados al final del curso. Una entrevista colectiva fue videograbada y el análisis de la información en general fue llevado a cabo de acuerdo con un marco conceptual adaptado a esta combinación novedosa de disciplinas. Se buscó en todo momento que el análisis y las conclusiones se circunscribiesen a parámetros concretos para poder detectar, si fuera el caso, las características precisas de la colaboración que contribuyeran al realce de los procesos de aprendizaje y enseñanza en ambas disciplinas.