Helen Holmes

In this article we explore the revival of rave music in the UK, reporting original research findings and focusing, in particular, upon two emergent themes: (1) the lived experience of the ageing raver, and its embodied and collective nature; and (2) the changing role of the DJ. The article draws upon 15 in-depth interviews with both music professionals and ordinary participants who were part of the rave scene in the 1990s and who are now either returning to rave, after a period away from it, or who, having decreased their involvement, are now stepping it up again in the context of the revival. We explore how rave’s revival constitutes a form of heritage which is crucial to the UK’s creative economy and we illustrate how heritage rave events provide a collective space for ageing ravers to relive times, music and dances of old. However, we find that heritage rave is also a space of contention between advocates of ‘authentic’ and ‘commercialised’ forms of rave respectively. A further finding centres upon the ways in which reviving rave and reframing it in terms of heritage has transformed the position and role of the DJ. Having been a background figure in rave’s first wave, the DJ has become a centralised and revered figure within the heritage rave sector. There is a greater demand for professionalism and therefore sobriety, a demand which often agrees with those of their ageing body, but there are also performance demands which must be reconciled with the limitations of the latter. All DJ’ing involves non-contact bodywork – using music and mixing as a means of eliciting a specific and importantly, collective, bodily response – we argue, but this is heightened in the heritage rave scene.

A domestic violence pandemic - 1 - Outlining victim and perpetrator perspectives

At a time when nationalist sentiment is on the rise, this special issue takes stock of how sociology can contribute to understanding the past, present and future of nationalism. In contrast to declarations of ‘the end of history’, which was also meant to herald increasing integration due to a lowering of cultural and national barriers, nationalism never went away. The articles in this collection engage with the question of nationalism at a theoretical and empirical level and in different regional contexts, assessing how national boundaries are drawn and policed, how national identities are formed and the myriad political and everyday consequences of nationalism.

This article explores material loss and develops a new conceptual agenda. Synthesising and developing debates on the sociology of consumption and material culture in combination with those of the sociology of nothing, it argues that material loss is crucial to understanding people’s everyday relationships to the material world and to practices of consumption. Abstract notions of absence, nothingness and loss are becoming increasingly intriguing phenomena for sociologists interested in the everyday. However, whilst their theoretical connotations are being discussed more and more, empirical investigation into these phenomena remains somewhat (ironically) absent. This article draws on a recent project exploring lost property, based on qualitative interviews with lost property offices, households and museums. Developing previous work on material affinities and material culture, the authors argue that lost property reveals the enduring relationships people have with objects which are no longer in their possession. These relationships disrupt and develop contemporary debates on the sociology of consumption regarding how objects are devalued, divested and disposed of, as well as how they are acquired, appropriated and appreciated. In turn, we contend that the transformative potential of material loss and absence offers a way of thinking about alternative, non-material practices of accumulation.