Chu Wang

Graph Convolutional Network (GCN) excels at EEG recognition by capturing brain connections, but previous studies neglect the important EEG feature itself. In this study, we propose MSFR-GCN, a multi-scale feature reconstruction GCN for recognizing emotion and cognition tasks. Specifically, MSFR-GCN includes the MSFR and feature-pool characteristically, with the MSFR consisting of two sub-modules, multi-scale Squeeze-and-Excitation (MSSE) and multi-scale sample re-weighting (MSSR). MSSE assigns weights to channels and frequency bands based on their separate statistical information, while MSSR assigns sample weights based on combined channel and frequency information. The feature-pool, which pools across the feature dimension, is applied after GCN to retain EEG channel information. The MSFR-GCN achieves excellent results in emotion recognition when first tested on two public datasets, SEED and SEED-IV. Than the MSFR-GCN is tested on our self-collected Emotion and Cognition EEG dataset (ECED) for both emotion and cognition classification tasks. The results show MSFR-GCN’s good performance in emotion and cognition classification tasks and reveal the implicit relationship between the two, which may provide aid in the rehabilitation of people with cognitive impairments from an emotional perspective.

Objectives: To investigate the short- and long-term effects of myopia control spectacle lenses with highly aspherical lenslets (HAL) and slightly aspherical lenslets (SAL) on visual function and visual quality using data obtained from a randomized controlled clinical trial. Methods: This was a prospective, randomized, controlled, and double-blinded study; 170 myopic children aged 8–13 years were randomly assigned to the HAL, SAL, or single-vision spectacle lenses (SVL) groups. Distance and near visual acuity (VA) at high (100%) and low (10%) contrast in photopic and scotopic conditions, near phoria, stereoacuity, and accommodative lag, microfluctuations (AMFs), amplitude (AA) were measured after wearing lenses for 10 min, 6 months, and 12 months. Results: In total, 161 subjects completed all follow-up in 12 months and were included in the analysis. After 10 min of wearing, the HAL and SAL groups had lower scotopic and low-contrast VA than the SVL group (decreased 0.03–0.08 logMAR and 0.01–0.04 logMAR in different VAs in the HAL and SAL groups, respectively, all P < 0.05). The reduction in VA was recovered at 12 months as the HAL and SAL groups exhibited significant VA improvements, and the VA was not different among the three groups (all P > 0.05). The HAL and SAL groups had significantly larger AMFs than the SVL group (HAL vs. SAL vs. SVL: 0.21 ± 0.08 D vs. 0.16 ± 0.05 D vs. 0.15 ± 0.06 D at baseline, 0.19 ± 0.07 D vs. 0.17 ± 0.05 D vs. 0.13 ± 0.07 D at 12 months, all P < 0.05). There were no significant differences in accommodative lag, AA, or phoria between the groups (all P > 0.05). The HAL and SAL groups had reduced stereoacuity compared to the SVL group at baseline (70’ vs. 60’ vs. 50’, P = 0.005), but no difference was observed at 12 months (70’ vs. 70’ vs. 70’, P = 0.11). Conclusions: HAL and SAL have no significant influence on accommodation and phoria except had larger AMF than SVL. Scotopic VA and low-contrast VA are reduced with short-term HAL and SAL use but recovered to be at same level with the SVL after 1 year of use. Trial registration Chinese Clinical Trial Registry: ChiCTR1800017683. Registered on 9 August 2018. http://www.chictr.org.cn/showproj.aspx?proj=29789

Hypersexuality is related to functions of personality and emotion and is a salient symptom of bipolar I disorder especially during manic episode. However, it is uncertain whether bipolar I disorder with (BW) and without (BO) hypersexuality exhibits different cerebral activations under external emotion stimuli. In 54 healthy volunteers, 27 BW and 26 BO patients, we administered the visual oddball event-related potentials (ERPs) under external emotions of Disgust, Erotica, Fear, Happiness, Neutral, and Sadness. Participants’ concurrent states of mania, hypomania, and depression were also evaluated. The N1 latencies under Erotica and Happiness were prolonged, and the P3b amplitudes under Fear and Sadness were decreased in BW; the P3b amplitudes under Fear were increased in BO. The parietal, frontal, and occipital activations were found in BW, and the frontal and temporal activations in BO under different external emotional stimuli, respectively. Some ERP components were correlated with the concurrent affective states in three groups of participants. The primary perception under Erotica and Happiness, and voluntary attention under Fear and Sadness, were impaired in BW, while the voluntary attention under Fear was impaired in BO. Our study indicates different patterns of visual attentional deficits under different external emotions in BW and BO.

Background: Materials loaded with pure emotion are essential for basic and clinical research on sounds. The International Affective Digitized Sounds (IADS) is one of the widely-used emotional tools, but its materials are not clearly labeled with specific emotions. We have hypothesized that the IADS contains pure vectors of at least disgust, erotica (or erotism), fear, happiness, sadness and neutral emotions. Methods: We therefore selected 48 IADS sounds with saturate emotions, and invited 271 male and 353 female university students to rate the intensity of the emotions conveyed in each sound. The ratings were then analyzed with the exploratory and confirmatory factor analyses. Results: Five factors were observed, namely: erotica, fear-sadness, happiness, neutrality, and disgust. Later, as two facets, sounds of fear-sadness were separated. Thirty sounds under six facets were finally retained with good model-fit indices and satisfactory factor internal reliabilities. Moreover, males scored significantly higher on erotica than females did. Conclusion: Our study purified a series of emotion-loaded IADS sounds, which might help clarify the pure effects of sound emotion in future research and clinical management of affective disorders.

Background: Nightmares are associated with parental bonding styles and various psychiatric disorders, but the exact connections between different nightmare experience features and family relationships in healthy volunteers and nightmare disorder patients are still unclear. Methods: We therefore invited 62 nightmare disorder patients and 135 healthy volunteers to undergo tests of the Nightmare Experience Questionnaire (NEQ), the Family Relationship Questionnaire (FRQ), and the Plutchik - van Praag Depression Inventory (PVP). Results: Besides the higher nightmare frequency and the higher PVP and four NEQ scale scores, the nightmare disorder patients had higher scores of FRQ Paternal Abuse, and lower ones of General Attachment, Maternal Encouragement, Maternal Freedom Release, and Paternal Freedom Release. The PVP was correlated with some NEQ and FRQ scales in both healthy volunteers and patients, and it functioned as a mediator between Physical Effect and Maternal Dominance in patients. Regarding predicting NEQ by FRQ, Paternal Abuse predicted Physical Effect, Maternal Dominance predicted Physical Effect and Horrible Stimulation, General Attachment predicted Horrible Stimulation (−) in healthy volunteers; Maternal Dominance predicted Physical Effect, Meaning Interpretation, and Horrible Stimulation, Paternal Freedom Release predicted Physical Effect (−), and Paternal Dominance predicted Meaning Interpretation and nightmare frequency in patients. Conclusions: Our study has demonstrated that the inappropriate family relationships were linked with different aspects of nightmare experience, especially in nightmare disorder patients.

Background: Previous studies of musical emotion largely depended on the lexical approach which suffered from overlaps between emotions. Methods: In the present study, we explored emotional domains through a dimensional approach based on the intensity ratings on the emotion perceived in music. Altogether, 488 university students were invited to listen to 60 musical excerpts (most of them classical), to rate the intensity of emotion perceived without naming the emotion. Later, we conducted the exploratory factor analysis on the intensity ratings to look for the latent structures of musical emotion and then applied the confirmatory factor analysis to verify the validity of the proposed model of emotional structure. Results: After first- and second-order factor analyses, seven emotional factors (domains, with 38 musical excerpts) were identified: Happiness, Tenderness, Sadness, Passion, Anger, Anxiousness, and Depression, which formed a satisfactory model. No gender difference was found regarding the perceived intensity of musical emotion. Conclusion: Our study has offered evidence to delineate basic musical emotions into seven domains.