Christina Tsoraki

This paper combines microwear analysis with new materialism to invigorate our understanding of past material worlds at multiple scales of analysis. Just as the development of new biomolecular approaches at scale has revealed an archive for research, so a combination of critical theoretical approaches and specific empirical analyses can do the same for objects, including those that would be considered to lack traditional ideas of ‘good context’. Through the development of concepts of multiplicity, event and assemblage and their application to the study of 431 copper-alloy, ground stone and flint objects from Later Neolithic and Early Bronze Age Britain, we open new ways of understanding the stories objects can tell us about the role they played in past worlds. In turn, this allows us to develop an understanding of the animate properties of things, or what can be termed a life proper to matter.

In Viking archaeology, the study of miniature figurines cast in silver and bronze provides a platform for debates on ritual and mythology, yet much of this discourse focuses on their appearance. Here, the authors use microwear and Reflective Transformation Imaging to survey the physical evidence of complex relational dynamics between 10 anthropomorphic artefacts from Viking Age Sweden and the human bodies they connected with. Through such analyses, and the abandonment of a priori assumptions regarding their purpose and symbolism, these figures can be seen as more than just components of an imposed category, and their varied, transmutable engagements with the world can be explored more freely.

In this article we put forward an alternative account of the famous wristguards, or bracers, of the European Early Bronze Age. Combining new materialism with empirical microwear analysis, we study 15 examples from Britain in detail and suggest a different way of conceptualizing these objects. Rather than demanding they have a singular function, we treat these objects as ‘multiplicities’ and as always in process. This, in turn, has significant implications for the important archaeological concepts of typology and object biography and our understandings of material culture more widely.

Excavated over two centuries ago, the Upton Lovell G2a ‘Wessex Culture’ burial has held a prominent place in research on Bronze Age Britain. In particular, was it the grave of a ‘shaman’ or a metalworker? We take a new approach to the grave goods, employing microwear analysis and scanning electron microscopy to map a history of interactions between people and materials, identifying evidence for the presence of Bronze Age gold on five artefacts, four for the first time. Advancing a new materialist approach, we identify a goldworking toolkit, linking gold, stone and copper objects within a chaîne opératoire, concluding that modern categorisations of these materials miss much of their complexity.

The appearance of Beaker pottery in Britain and Ireland during the twenty-fifth centurybcmarks a significant archaeological horizon, being synchronous with the first metal artefacts. The adoption of arsenical copper, mostly from Ireland, was followed by that of tin-bronze around 2200bc. However, whilst the copper mine of Ross Island in Ireland is securely dated to the Early Bronze Age, and further such mines in the UK have been dated to the Early and Middle Bronze Age, the evidence for the exploitation of tin ores, the other key ingredient to make bronze, has remained circumstantial. This article contains the detailed analyses of seven stone artefacts from securely dated contexts, using a combination of surface pXRF and microwear analysis. The results provide strong evidence that the tools were used in cassiterite processing. The combined analysis of these artefacts documents in detail the exploitation of Cornish tin during this early phase of metal use in Britain and Ireland.

Çatalhöyük is a renowned archaeological site in central Anatolia, best known for its Neolithic occupation dated from 7100 to 6000 cal BC. The site received worldwide attention early on for its large size, well-preserved mudbrick architecture, and elaborate wall paintings. Excavations at the site over almost three decades have unearthed rich archaeobotanical remains and a diverse ground stone assemblage produced by what once was a vibrant farming community. The study presented here adds to our understanding of crops and plant processing at Çatalhöyük by integrating phytoliths and starch analyses on grinding implements found at three domestic contexts attributed to the Middle (6700–6500 cal BC) and Late (6500–6300 cal BC) period of occupation. Our results reveal a rich microbotanical assemblage that testifies the use of a wide range of geophytes and wild seasonal resources previously unknown at the site. Moreover, by comparing results from the microbotanical proxies and microscopic wear patterns on artefacts, we are also able to discern various plant processing practices the analysed artefacts were employed for. In sum, this work further expands our understanding of plants and crop processing activities performed by the inhabitants of Neolithic Çatalhöyük.