Lucrezia Gatti

Lucrezia Gatti

*This is an algorithmically generated author record based on publicly available information.

Current Organizations / Institutes

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Previous Organizations / Institutes

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Lucrezia Gatti has a total of 27 co-authors. Here are the top co-authors by number of shared publications:


Latest Publications

  • Open Access

    Deep-time preservation of amino acids in mammalian fossil tooth enamel

    by Lucrezia Gatti, Federico Lugli, Florian Rubach, Jennifer Leichliter, Giorgia Sciutto, Silvia Prati, Thomas Tütken, Alfredo Martínez-García

    Tooth enamel, primarily composed of bioapatite, is a promising archive of endogenous organic matter for studying ancient fauna. Despite its low organic content (~1%), protein residues have been identified in teeth up to 24 million years old. This study investigates the preservation of total hydrolysable amino acids (THAAs) in fossil enamel dating back as far as 48 million years. Modern and fossil enamel from large herbivorous mammals (Equidae, Rhinocerotidae, Proboscidea) across various taphonomic settings and Cenozoic periods reveal that AAs persist at least to the Eocene. The “intra-crystalline” organic fraction stabilizes after an initial rapid decline within the first 0.10 million years. Preservation appears independent of taphonomic context, and the relative abundance of amino acids is similarly variable in both modern and fossil samples. These findings demonstrate that enamel is a diagenetically robust substrate for long-term organic preservation, with significant potential for phylogenetic and ecological reconstructions in the fossil record.


  • Advanced label-free electrochemical immunosensor for a minimally invasive detection of proteins in paintings

    by L. Gatti, G. Sciutto, R. Cancelliere, L. Severini, C. Lisarelli, C. Mazzuca, S. Prati, R. Mazzeo, L. Micheli


  • Open Access

    Near-infrared hyperspectral imaging to map collagen content in prehistoric bones for radiocarbon dating

    by Cristina Malegori, Giorgia Sciutto, Paolo Oliveri, Silvia Prati, Lucrezia Gatti, Emilio Catelli, Stefano Benazzi, Silvia Cercatillo, Dragana Paleček, Rocco Mazzeo, et al.

    Many of the rarest prehistoric bones found by archaeologists are enormously precious and are considered to be part of our cultural and historical patrimony. Radiocarbon dating is a well-established technique that estimates the ages of bones by analysing the collagen still present. However, this method is destructive, and its use must be limited. In this study, we used imaging technology to quantify the presence of collagen in bone samples in a non-destructive way to select the most suitable samples (or sample regions) to be submitted to radiocarbon dating analysis. Near-infrared spectroscopy (NIR) that was connected to a camera with hyperspectral imaging (HSI) was used along with a chemometric model to create chemical images of the distribution of collagen in ancient bones. This model quantifies the collagen at every pixel and thus provides a chemical mapping of collagen content. Our results will offer significant advances for the study of human evolution as we will be able to minimise the destruction of valuable bone material, which is under the protection and enhancement of European cultural heritage and thus allow us to contextualise the valuable object by providing an accurate calendar age.


  • Open Access

    An In Vitro Evaluation of the Biocidal Effect of Oregano and Cloves’ Volatile Compounds against Microorganisms Colonizing an Oil Painting—A Pioneer Study

    by Lucrezia Gatti, Federica Troiano, Violetta Vacchini, Francesca Cappitelli, Annalisa Balloi

    In this study, the biocidal activity of two plant derivatives (oregano and cloves’ essential oils—EOs) was evaluated, as a potential innovative and eco-friendly cleaning method for canvas paintings. The object of the study was the oil painting on canvas entitled “Studio di nudo” (Giovanni Maria Mossa, 1921), showing stains caused by microorganisms. The research focused on: (1) isolation and identification of microorganisms associated with discolorations on the obverse and reverse sides of the canvas; (2) evaluation of biocidal activity of selected EOs against fungal and bacterial collections. The phylogenetic identification was conducted with both cultivation and molecular methods. The canvas was mainly colonized by Penicillium, Aspergillus, and Cephaloteca fungal genera and by bacteria of the Bacillus genus. To evaluate the biocidal effect of the EOs’ volatile components only, an antibiogram assay (agar disc diffusion method) and a customized assay (named the contactless test) were conducted. Tested EOs showed antimicrobial activity on fungi and bacteria. However, compared to cloves, oregano EO exhibited a better inhibition activity both in contact and contactless tests. The work is pioneering for the use of EOs’ volatile compounds against oil painting biodeteriogens, and gives insights into possible extended, innovative and eco-friendly cleaning methods for painting control procedures.