Giovanni Amadasi

Giovanni Amadasi

*This is an algorithmically generated author record based on publicly available information.

Giovanni Amadasi has a total of 4 co-authors. Here are the top co-authors by number of shared publications:


Latest Publications

  • Open Access

    Sound Absorption of Hydroponically Grown Plants

    by Gino Iannace, Antonella Bevilacqua, Amelia Trematerra, Giovanni Amadasi

    Hydroponics is a method of growing plants without soil and serves as an efficient agricultural production system. Compared to traditional farming, hydroponic crops offer significant water savings while also reducing the need for chemical pesticides by eliminating soil-borne diseases and pests. Additionally, hydroponic materials are being studied as a potential food source for space missions and as a substitute for industrially produced animal feed during winter. This paper explores the acoustic absorption properties of green materials derived from hydroponic systems. The roots of wheat grown in a porous layer formed a rigid skeleton structure. After drying, test specimens were prepared for acoustic measurements, undertaken using an impedance tube, to assess the material’s sound absorption performance. The results indicate optimal absorption around 600 Hz and 2000 Hz, reaching α = 0.95–1.0, which is significant. A brief description of the substrate layers is also provided.


  • Open Access

    Resonant Acoustic Metamaterials

    by Gino Iannace, Giovanni Amadasi, Antonella Bevilacqua, Maria Cairoli, Amelia Trematerra

    Acoustic applications of metamaterials have rapidly developed over the past few decades. The sound attenuation provided by metamaterials is due to the interaction between soundwaves and scatterers organized into a reticular grid, with a peak attenuation at a specific frequency band that is highly dependent on the scatterers’ diameter and reticular geometric organization of installation. In this article, the scatterer types chosen for the experiments are represented by a 2D shape, which are cylindrical solid-wood bars of 15 mm diameter and empty cylindrical bars of 20 mm diameter. Acoustic measurements were conducted in a semi-anechoic chamber to identify the specific frequency at which the highest insertion loss (IL) was registered. A second experiment was conducted by creating holes of 5 mm diameter on the external surface of the empty bars; in this way, it registered a higher sound attenuation. In particular, the resonant system characterized with holes, in combination with the attenuation given by 2D scatterer metamaterials, increased the sound attenuation for the frequency range between 1 kHz and 10 kHz.


  • Open Access

    Acoustic Simulations Applied to the Garden of Rufolo’s Villa in Ravello: Comparison between Different Scenarios

    by Antonella Bevilacqua, Giovanni Amadasi, Gino Iannace, Amelia Trematerra

    This manuscript treats the acoustic analysis of a garden located in Rufolo’s villa, south of Italy, which has already been studied to install some acoustic panels to improve the response across the seating area. After a campaign of acoustic measurements, acoustic simulations have been conducted based on three specific scenarios, highlighting the effectiveness of a new acoustic shell (project C) over the existing conditions (project A) and option A shell (project B). The results coming from the simulations show that the values of the main acoustic parameters are significantly improved with the installation of a scientifically designed acoustic shell, to be closer to the optimal ranges. The comparison among different projects highlights that the acoustic response of the existing conditions is not optimal, and that a marginal improvement was found with the addition of vertical panels mounted at the perimeter of the stage in combination with suspended ceiling above the stage. This research study is addressed to potentially auralize the voice or sound of famous artists that would be performing within the new acoustic shell; furthermore, the outputs could even implement the website of the Rufolo’s villa for marketing purposes.


  • Open Access

    The Acoustic Characteristics of Hellenistic Morgantina Theatre in Modern Use

    by Giovanni Amadasi, Antonella Bevilacqua, Gino Iannace, Amelia Trematerra

    Thousands of theatres were built during the Hellenistic period in Greece and overseas colonies. The main elements of the Hellenistic theatre are the following: the orchestra, where music and songs were performed to accompany the acting performance, and the koilon, where the audience sat. Hellenistic theatres were built without any ceiling, with an open-air configuration. This paper reports the acoustic characteristics of the Greek (Hellenistic) theatre located in Morgantina (Sicily, Italy) based on the technical data gathered in different listening positions selected across the sitting area (koilon). The theatre of Morgantina was built in the third century BC and renovated a few decades ago. Nowadays, it is the center of important social and cultural activities. The outcomes of the beamforming technique employed for the survey have been discussed in comparison with traditional acoustic parameters, such as ISO 3382. The scope of this article is to assess the usability of this theatre intended to be used for different types of artistic performances.