Rui Zhang
Current Organizations / Institutes
The organizations/institutes from the scholar's latest article
Rui Zhang has a total of 2 co-authors. Here are the top co-authors by number of shared publications:
- Fanke Peng
University of South Australia
2 shared publications - Ian Gwilt
Australian Research Centre for Interactive and Virtual Environments, University of South Australia, Adelaide, SA, Australia
1 shared publication
Latest Publications
- Top Cited PapersOpen Access
- 2 September 2024
- Published by Taylor & Francis in Digital Creativity
- Vol. 35 (4) , 355-377
Exploring the role of immersive technology in digitally representing contemporary crafts within hybrid museum exhibitions: a scoping review
- 2 September 2024
- Published by Taylor & Francis in Digital Creativity
- Vol. 35 (4) , 355-377
Top Cited PapersOpen AccessExploring the role of immersive technology in digitally representing contemporary crafts within hybrid museum exhibitions: a scoping review
- Open Access
Connection: Digitally Representing Australian Aboriginal Art through the Immersive Virtual Museum Exhibition
In 2022, the National Museum of Australia launched an immersive virtual exhibition of Australian Aboriginal art: Connection: Songlines from Australia’s First Peoples, which was created and produced by Grande Experiences, the same team that produced the multisensory experience Van Gogh Alive. The exhibition employs large-scale projections and cutting-edge light and sound technology to offer a mesmerizing glimpse into the intricate network of Australian Aboriginal art, which is an ancient pathway of knowledge that traverses the continent. Serving as the gateway to the Songlines universe, the exhibition invites visitors to delve into the profound spiritual connections with the earth, water, and sky, immersing them in a compellingly rich and thoroughly captivating narrative with a vivid symphony of sound, light, and color. This article examines Connection as a digital storytelling platform by exploring the Grande Experiences company’s approach to the digital replication of Australian Aboriginal art, with a focus on the connection between humans and nature in immersive exhibition spaces.
Open AccessConnection: Digitally Representing Australian Aboriginal Art through the Immersive Virtual Museum Exhibition
In 2022, the National Museum of Australia launched an immersive virtual exhibition of Australian Aboriginal art: Connection: Songlines from Australia’s First Peoples, which was created and produced by Grande Experiences, the same team that produced the multisensory experience Van Gogh Alive. The exhibition employs large-scale projections and cutting-edge light and sound technology to offer a mesmerizing glimpse into the intricate network of Australian Aboriginal art, which is an ancient pathway of knowledge that traverses the continent. Serving as the gateway to the Songlines universe, the exhibition invites visitors to delve into the profound spiritual connections with the earth, water, and sky, immersing them in a compellingly rich and thoroughly captivating narrative with a vivid symphony of sound, light, and color. This article examines Connection as a digital storytelling platform by exploring the Grande Experiences company’s approach to the digital replication of Australian Aboriginal art, with a focus on the connection between humans and nature in immersive exhibition spaces.