Trpimir Jeronim Ježić
Current Organizations / Institutes
The organizations/institutes from the scholar's latest article
Trpimir Jeronim Ježić has a total of 6 co-authors. Here are the top co-authors by number of shared publications:
- Ivana Pavlović
Faculty of Graphic Arts, University of Zagreb, Zagreb, Croatia, Croatia
2 shared publications - Miroslav Mikota
University of Zagreb Faculty of Graphic Arts
2 shared publications - Ivana Žiljak Stanimirović
Faculty of Graphic Arts, University of Zagreb, 10000 Zagreb, Croatia
1 shared publication - Marko Maričević
Bc Institute for Breeding and Production of Field Crops, Rugvica, Dugoselska 7, 10370 Dugo Selo, Croatia
1 shared publication - Nikolina Stanić Loknar
University of Zagreb Faculty of Graphic Arts, HR-10000 Zagreb, Croatia
1 shared publication - Tajana Koren Ivančević
University of Zagreb Faculty of Graphic Arts, HR-10000 Zagreb, Croatia
1 shared publication
Latest Publications
- Open Access
- 15 September 2026
- Published by MDPI AG in Preprints.org
Analyzing the Syntax of Core-Semantic Categories Using Activation Visualization and Concept Bottleneck Methods
Understanding abstract concepts of aesthetics and semantics is crucial in developing reliable and verifiable systems for information retrieval or content generation. In this study we explore the space of use-cases where neural networks can aid in deepening the understanding of aesthetic and semantic theoretical principles, their relations, their practical relevance, and possibilities for automation of theory-aligned, and thus explainable, semantic or aesthetic evaluation. We start with pretrained object-recognition vision models, refitted and fine-tuned to discriminate between classes of fine art paintings along two core-semantic axes: abstract-concrete and iconic-symbolic. We then refit the models one more time using the CBM method to make models more reliable and their outputs interpretable in the frame of design- and art-theoretic principles. Finally, we apply a curated collection of xAI methods to analyze, visualize, and contrast the decision-making criteria of four developed models. Our findings show that - for the task of mapping sets of highly distributed, complex and intertwined features - the introduction of narrow concept bottlenecks at the output end of the black-box networks affords for interpretation of models’ outputs, while leaving no negative impact on their classification performance. The methodology developed for this paper presents a transferable framework for amplifying black-box vision-models’ usability and verifiability of their outputs, and it is especially applicable in specialized fields with well-formed theoretical understanding of their respective imaging problem-space. All code developed for constructing, refitting and analyzing models, alongside the datasets created for this study, have been made publicly available under the GPLv3 license.
- 15 September 2026
- Published by MDPI AG in Preprints.org
Open AccessAnalyzing the Syntax of Core-Semantic Categories Using Activation Visualization and Concept Bottleneck Methods
Understanding abstract concepts of aesthetics and semantics is crucial in developing reliable and verifiable systems for information retrieval or content generation. In this study we explore the space of use-cases where neural networks can aid in deepening the understanding of aesthetic and semantic theoretical principles, their relations, their practical relevance, and possibilities for automation of theory-aligned, and thus explainable, semantic or aesthetic evaluation. We start with pretrained object-recognition vision models, refitted and fine-tuned to discriminate between classes of fine art paintings along two core-semantic axes: abstract-concrete and iconic-symbolic. We then refit the models one more time using the CBM method to make models more reliable and their outputs interpretable in the frame of design- and art-theoretic principles. Finally, we apply a curated collection of xAI methods to analyze, visualize, and contrast the decision-making criteria of four developed models. Our findings show that - for the task of mapping sets of highly distributed, complex and intertwined features - the introduction of narrow concept bottlenecks at the output end of the black-box networks affords for interpretation of models’ outputs, while leaving no negative impact on their classification performance. The methodology developed for this paper presents a transferable framework for amplifying black-box vision-models’ usability and verifiability of their outputs, and it is especially applicable in specialized fields with well-formed theoretical understanding of their respective imaging problem-space. All code developed for constructing, refitting and analyzing models, alongside the datasets created for this study, have been made publicly available under the GPLv3 license.
- Open Access
- 15 January 2026
- Published by MDPI AG in Journal of Imaging
- Vol. 12 (1) , 45
A Cross-Device and Cross-OS Benchmark of Modern Web Animation Systems
Although modern web technologies increasingly rely on high-performance rendering methods to support rich visual content across a range of devices and operating systems, the field remains significantly under-researched. The performance of animated visual elements is affected by numerous factors, including browsers, operating systems, GPU acceleration, scripting load, and device limitations. This study systematically evaluates animation performance across multiple platforms using a unified set of circle-based animations implemented with eight web-compatible technologies, including HTML, CSS, SVG, JavaScript, Canvas, and WebGL. Animations were evaluated under controlled feature combinations involving random motion, distance, colour variation, blending, and transformations, with object counts ranging from 10 to 10,000. Measurements were conducted on desktop operating systems (Windows, macOS, Linux) and mobile platforms (iOS, Android), using CPU utilisation, GPU memory usage, and frame rate (FPS) as key metrics. Results show that DOM-based approaches maintain stable performance at 100 animated objects but exhibit notable degradation by 500 objects. Canvas-based rendering extends usability to higher object counts, while WebGL demonstrates the most stable performance at large scales (5000–10,000 objects). These findings provide concrete guidance for selecting appropriate animation technologies based on scene complexity and target platform.
- 15 January 2026
- Published by MDPI AG in Journal of Imaging
- Vol. 12 (1) , 45
Open AccessA Cross-Device and Cross-OS Benchmark of Modern Web Animation Systems
Although modern web technologies increasingly rely on high-performance rendering methods to support rich visual content across a range of devices and operating systems, the field remains significantly under-researched. The performance of animated visual elements is affected by numerous factors, including browsers, operating systems, GPU acceleration, scripting load, and device limitations. This study systematically evaluates animation performance across multiple platforms using a unified set of circle-based animations implemented with eight web-compatible technologies, including HTML, CSS, SVG, JavaScript, Canvas, and WebGL. Animations were evaluated under controlled feature combinations involving random motion, distance, colour variation, blending, and transformations, with object counts ranging from 10 to 10,000. Measurements were conducted on desktop operating systems (Windows, macOS, Linux) and mobile platforms (iOS, Android), using CPU utilisation, GPU memory usage, and frame rate (FPS) as key metrics. Results show that DOM-based approaches maintain stable performance at 100 animated objects but exhibit notable degradation by 500 objects. Canvas-based rendering extends usability to higher object counts, while WebGL demonstrates the most stable performance at large scales (5000–10,000 objects). These findings provide concrete guidance for selecting appropriate animation technologies based on scene complexity and target platform.
- Open Access
- 16 June 2025
- Published by University North in Tehnički glasnik
- Vol. 19 (3) , 427-433
Computing the Deep Semantics of Visual Communications
The research field of computational aesthetics gives crucial contributions to the development of mechanisms for filtering and/or generating value-laden informational content. This paper acknowledges a recognized escalating problem in the development of contemporary informational technologies and presents a practical solution for communicational quality management by employing an innovative approach to the computational aesthetic evaluation (CAE). After discussing the problem and attempted approaches to its alleviation, the paper offers a novel expert solution by presenting an original research approach and its resulting open-sourced model which outperforms its current state-of-the-art competition in semantic and stylistic classification, at the same time providing an idiomatic measure for objective aesthetic evaluation and demonstrating semantically rich and professionally recognized explanatory power which can serve as the solid basis for development of reliable and user friendly content retrieval, generative or auxiliary design applications. Presented model is resource- and privacy-wise utmost conservative. Its use evades all ethical, legal or security concerns that beset all currently prominent models. Its developmental and operational costs are practically nil.
- 16 June 2025
- Published by University North in Tehnički glasnik
- Vol. 19 (3) , 427-433
Open AccessComputing the Deep Semantics of Visual Communications
The research field of computational aesthetics gives crucial contributions to the development of mechanisms for filtering and/or generating value-laden informational content. This paper acknowledges a recognized escalating problem in the development of contemporary informational technologies and presents a practical solution for communicational quality management by employing an innovative approach to the computational aesthetic evaluation (CAE). After discussing the problem and attempted approaches to its alleviation, the paper offers a novel expert solution by presenting an original research approach and its resulting open-sourced model which outperforms its current state-of-the-art competition in semantic and stylistic classification, at the same time providing an idiomatic measure for objective aesthetic evaluation and demonstrating semantically rich and professionally recognized explanatory power which can serve as the solid basis for development of reliable and user friendly content retrieval, generative or auxiliary design applications. Presented model is resource- and privacy-wise utmost conservative. Its use evades all ethical, legal or security concerns that beset all currently prominent models. Its developmental and operational costs are practically nil.