Junyi Wang
Current Organizations / Institutes
The organizations/institutes from the scholar's latest article
Research Subjects
Junyi Wang has a total of 6 co-authors. Here are the top co-authors by number of shared publications:
- Aideen Gildea
School of Nursing and Midwifery, Queen’s University Belfast, Belfast, BT7 1NN, UK
1 shared publication - Conneth Poland
School of Social Science, Education and Social Work, Queen’s University, Belfast BT7 1NN, UK
1 shared publication - Laura Dunne
School of Social Science, Education and Social Work, Queen’s University, Belfast BT7 1NN, UK
1 shared publication - Leeanne O'HAra
Centre for Public Health, Queen's University Belfast, Belfast, UK
1 shared publication - Liam O'HAre
School of Social Science, Education and Social Work, Queen’s University, Belfast BT7 1NN, UK
1 shared publication - Sarah Miller
School of Social Sciences Education and Social Work Queen's University Belfast Belfast UK
1 shared publication
Latest Publications
- Open Access
- 8 January 2026
- Published by MDPI AG in Education Sciences
- Vol. 16 (1) , 92
Evaluating the Effects of the Crescendo Programme on Music and Self-Regulation with 5–6-Year-Old Pupils: A Quasi-Experimental Study
Crescendo is a music-based social and emotional learning (SEL) programme designed for primary/elementary school children living in disadvantaged communities. It is a community-led, orchestra-delivered, and evidence-informed initiative aimed at improving children’s musical and SEL outcomes through sustained engagement. Children growing up in socioeconomically disadvantaged areas often experience challenges with SEL and limited access to orchestral music education. However, emerging research suggests a relationship between music participation and SEL development. This study evaluated the initial impact of Crescendo on 559 children aged 5–6 in their first year of participation (Year 1 of 7). A quasi-experimental, rolling cohort design compared pupils in four participating Crescendo schools with pupils in four matched control schools not receiving the programme. Outcome measures included music skills (beat, pitch, and reaction to music) and SEL (behavioural self-regulation). The findings indicated significant positive effects of the programme across all outcome domains, with moderate effects observed in self-regulation (Cohen’s d = 0.29) and reaction to music (Cohen’s d = 0.21) compared to control schools. These results suggest that collaboration between orchestral musicians and educators can positively influence young children’s musical and SEL development in resource-constrained settings. The findings also underscore the importance of clearly defined programme models to support replication and scalability.
- 8 January 2026
- Published by MDPI AG in Education Sciences
- Vol. 16 (1) , 92
Open AccessEvaluating the Effects of the Crescendo Programme on Music and Self-Regulation with 5–6-Year-Old Pupils: A Quasi-Experimental Study
Crescendo is a music-based social and emotional learning (SEL) programme designed for primary/elementary school children living in disadvantaged communities. It is a community-led, orchestra-delivered, and evidence-informed initiative aimed at improving children’s musical and SEL outcomes through sustained engagement. Children growing up in socioeconomically disadvantaged areas often experience challenges with SEL and limited access to orchestral music education. However, emerging research suggests a relationship between music participation and SEL development. This study evaluated the initial impact of Crescendo on 559 children aged 5–6 in their first year of participation (Year 1 of 7). A quasi-experimental, rolling cohort design compared pupils in four participating Crescendo schools with pupils in four matched control schools not receiving the programme. Outcome measures included music skills (beat, pitch, and reaction to music) and SEL (behavioural self-regulation). The findings indicated significant positive effects of the programme across all outcome domains, with moderate effects observed in self-regulation (Cohen’s d = 0.29) and reaction to music (Cohen’s d = 0.21) compared to control schools. These results suggest that collaboration between orchestral musicians and educators can positively influence young children’s musical and SEL development in resource-constrained settings. The findings also underscore the importance of clearly defined programme models to support replication and scalability.