Joshua Reiss
Current Organizations / Institutes
The organizations/institutes from the scholar's latest article
Joshua Reiss has a total of 8 co-authors. Here are the top co-authors by number of shared publications:
Anders R. Bargum
Multisensory Experience Lab, Aalborg University Copenhagen, Copenhagen, Denmark
1 shared publication- Cumhur Erkut
Aalborg University Copenhagen
1 shared publication - Fernando Marcos
Signal Processing Applications Group, Universidad Politcnica de Madrid, Madrid, Spain
1 shared publication Huy Phan
Huy Phans position at Meta, Paris, France
1 shared publication- Jiachen Luo
Centre for Digital Music, Queen Mary University of London, London, United Kingdom
1 shared publication José Luis Blanco
Signal Processing Applications Group, Universidad Politcnica de Madrid, Madrid, Spain
1 shared publication
Latest Publications
- 1 June 2026
- Published by Institute of Electrical and Electronics Engineers (IEEE) in IEEE Transactions on Multimedia
- Vol. PP (15209210) , 1-16
BCAF: Bimodal connection attention fusion for robust emotion recognition from speech and text
Bimodal speech emotion recognition is challenging due to the difficulty of capturing subtle emotional cues and effectively modeling complex interactions between audio and text. Existing methods often overlook the importance of modality connections and struggle to filter noisy or misleading cross-modal signals. To address these issues, we propose a novel Bimodal Connection Attention Fusion (BCAF) framework that explicitly models modality-specific representations and their interactions. BCAF includes three key modules: an interactive connection network that learns modality connections through an encoderdecoder structure; a bimodal attention network that captures intra- and inter-modal dependencies; and a correlative attention network that filters cross-modal noise to improve robustness. Extensive evaluations across benchmark datasets show that BCAF achieves superior performance over existing methods, highlighting its strength in modeling detailed modality connections and interactions for emotion recognition.
- 1 June 2026
- Published by Institute of Electrical and Electronics Engineers (IEEE) in IEEE Transactions on Multimedia
- Vol. PP (15209210) , 1-16
BCAF: Bimodal connection attention fusion for robust emotion recognition from speech and text
Bimodal speech emotion recognition is challenging due to the difficulty of capturing subtle emotional cues and effectively modeling complex interactions between audio and text. Existing methods often overlook the importance of modality connections and struggle to filter noisy or misleading cross-modal signals. To address these issues, we propose a novel Bimodal Connection Attention Fusion (BCAF) framework that explicitly models modality-specific representations and their interactions. BCAF includes three key modules: an interactive connection network that learns modality connections through an encoderdecoder structure; a bimodal attention network that captures intra- and inter-modal dependencies; and a correlative attention network that filters cross-modal noise to improve robustness. Extensive evaluations across benchmark datasets show that BCAF achieves superior performance over existing methods, highlighting its strength in modeling detailed modality connections and interactions for emotion recognition.
- Open Access
- 18 December 2025
- Published by Institute of Electrical and Electronics Engineers (IEEE) in IEEE Transactions on Audio, Speech and Language Processing
- Vol. 34, 427-445
Neural Audio Synthesis for Sound Effects: A Scope Review
Neural Audio Synthesis is dedicated to generating sound through generative neural networks. Sound effects are defined as auditory elements that complement a specific scene (in cinema, fiction, or videogames), support a storyline, enhance a fictional environment, or improve the perceived plausibility and presence (including Virtual Reality) without being music or dialog. This manuscript presents a quantitative literature review of the literature that intersects these two domains: the neural generation of sound effects. By leveraging large language models, we performed an extensive and systematic survey of the major scientific repositories, filtering the most relevant articles to ensure a thorough analysis. Our study examines various generation paradigms employed in sound synthesis, the specific types of sound effects created, the datasets used, and the evaluation metrics considered. Furthermore, we provide a forward-looking discussion on the evolution of this field towards multimodal approaches, where sound generation might integrate with other sensory modalities. All supporting materials and code are available online.
- 18 December 2025
- Published by Institute of Electrical and Electronics Engineers (IEEE) in IEEE Transactions on Audio, Speech and Language Processing
- Vol. 34, 427-445
Open AccessNeural Audio Synthesis for Sound Effects: A Scope Review
Neural Audio Synthesis is dedicated to generating sound through generative neural networks. Sound effects are defined as auditory elements that complement a specific scene (in cinema, fiction, or videogames), support a storyline, enhance a fictional environment, or improve the perceived plausibility and presence (including Virtual Reality) without being music or dialog. This manuscript presents a quantitative literature review of the literature that intersects these two domains: the neural generation of sound effects. By leveraging large language models, we performed an extensive and systematic survey of the major scientific repositories, filtering the most relevant articles to ensure a thorough analysis. Our study examines various generation paradigms employed in sound synthesis, the specific types of sound effects created, the datasets used, and the evaluation metrics considered. Furthermore, we provide a forward-looking discussion on the evolution of this field towards multimodal approaches, where sound generation might integrate with other sensory modalities. All supporting materials and code are available online.